11/14/2022 0 Comments Water color drips tutorial![]() When this layer of wax has cooled, peel the rice paper from the waxed paper. Then cover the entire front of the paper with another coat of wax to be sure you’ve hit every area at least once. When you’re finished applying layers of wax and color washes, let the paper dry. You can add paint where you need it later, after you’ve removed the wax. If you do happen to melt the wax and it spreads, that’s OK. You can use a hair dryer to speed the drying time, but be careful not to melt the wax. If you apply wax to wet or damp paper it won’t be able to soak into the paper fibers. It’s important to let the paper dry thoroughly before applying more wax. As the paint moves outward, avoid a hard edge by taking extra water in your brush and softening the edge, then quickly and gently blot with a paper towel to absorb extra water. Sometimes the paint will run no matter what you do. Pick up only a small amount of paint-rice paper has no sizing, so the less paint in your brush the more control you’ll have. Just use your regular watercolor brushes for the washes. A piece of freezer paper (shiny side up) works well for this. Because the paper is transparent, it’s helpful to place it onto a white surface while painting. The wax dries almost instantly, so the rice paper will be ready to paint right away. Leave the brush in the hot wax between layers so that it will always be ready to go. Start with just a bit until you get the hang of it. Be careful: If you get too much wax on the brush, it’ll surge outward onto the paper. To wax, dip an old brush into the hot wax and spread it onto the paper (you can’t clean wax out of the brushes, but you can reuse them for other batik paintings). After you get a few pieces under your belt, you’ll no longer need the diagrams. The diagrams included with each step of the demo show the wax applications I planned for the painting. My “waxing diagrams” (below) show where to place the wax. #Water color drips tutorial how to#Understanding how to use wax as a resist can be the most challenging part of the process. Next, place a piece of waxed paper beneath the rice paper to keep it from sticking to your work surface, and leave it in place throughout the entire waxing process. Melt the wax slowly in a well-ventilated area to 200 to 225° Fahrenheit-otherwise the wax could catch fire. An electric frying pan works well, as do small wax/glue pots (see the photo of my work area) that automatically heat to the desired temperature without worry. Melt the paraffin wax in a device with a temperature control. Use a permanent, waterproof ink pen, such as a Pigma Micron 05, to trace the design onto the smooth side of the rice paper. Prepare your sketch on white paper and place it under the transparent rice paper. Then tear along this line with your fingers-presto! Deckled edge. Use only a bit of water-just enough to wet a thin line. Or, if you prefer a deckled edge, “draw” a line of water with a wet brush. The first step is to cut the paper to the size you need. Cretacolor Pastel Pencils can be helpfulĪlthough many papers can be used, Awagami Ginwashi is my favorite and it comes in large sheets, approximately 25×37 inches.Paraffin wax (also used for canning can be found in most any grocery store).Permanent, waterproof pen, such as a Pigma Micron 05.Old electric frying pan with temperature control or a wax/glue pot (made to heat wax to safe temperatures).I typically use only three: a 1½-inch flat (Loew Cornell 4550), a 1-inch flat (Simply Simmons) and a ½-inch flat. Watercolor Brushes: Use your regular watercolor brushes for applying paint. In general, you’ll find that the paint brush bristles get stiff when the wax cools, but they soften up again when dipped into hot wax. Beware of using brushes that are too tiny-they rarely carry enough wax and the wax will cool before you can apply it to the paper. I prefer inexpensive natural hair paint brushes, such as camel or squirrel mix: a 1½-inch flat, a No. Wax Brushes: Designate brushes that you’ll use only in wax. Watercolors: I use Winsor & Newton and Holbein. Each one will give the watercolor painting a different look. Oriental Paper: Awagami Ginwashi rice paper is my favorite, but many others will work. Tuscan Window (watercolor and batik on paper, 16×12) by Kathie George Believe it or not, these accidents actually add to the look of the piece. Batking isn’t an exact science, so be prepared for mistakes such as unintentional drips of wax and oozing color. The materials I use in my batik process are very simple: rice paper, watercolor and melted paraffin wax. The wax blocks the areas that aren’t intended to receive paint. With watercolor batik, wax is used as a resist-and if you’ve ever used masking fluid on watercolor paper, you understand how a resist works. ![]()
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